Juan Carlos Casimiro
The mystical, traditions, sacred, are part of our lives. The music has existed since before the birth of history. The books contain fascinating stories, legends, and bring us them into the present. The Film, an art of collaboration of hundreds, sometimes thousands of persons, immerses us in them, makes us live…
Music in the cinema can provide a unique dimension, sometimes leading, sometimes discreet, but always in harmony with the picture. A composer must balance the countless musical components together to help tell the story of the most suggestive manner with a perfect composition. There is no greater joy than watching a movie taking shape. Therefore, from the first movie, I suffer the addiction of creating music for a scene, the passion to seek the best music.
Experience & Education
Head of Composition's Department for Conservatorio Profesional de Música de GijónSeptember 1992 to Present (about 26 years)
Composer (Score) for Prodo DoñanaOctober 2012 to November 2012 (about a month)
! Synopsis:Tin and Tina are not eating the purée tonight. RUNTIME: 12 min. GENRE: Mystery FORMAT: 35mm COLOR: Black & White SOUND: Dolby SR LANGUAGE: Spanish SUBTITLES: English COUNTRY: Spain YEAR: 2013 http://www.tinytina.es
Composer for Gijón City Council (Spain)June 2012 to July 2012 (about a month)
Official Theme of european "Festival Arcu Atlanticu"
Composer for Luckiepierre EntertainmentJune 2009 to July 2009 (about a month)
Collaboration in “Waiting for Ophelia”, Comedy by Adam Carl with a piece for Orchestra and soparno soloist "Saelia"
Arranger/Composer for Proyecto VerdiMay 2005 to August 2005 (3 months)
Musical arranges for the spectacle “Traviesas Travesías” by “Proyecto Verdi” with orchestra, ballet and choirs. Introduced in “Los Jardines de Sabatini”, Madrid. Summer.
Superior Professor in Counterpoint and Fugue, Composition Orchestration and Instrumentation at Conservatorio Superior de Música in Salamanca1992 to 1999 (7 years)